Eva Hilinski

3 Feb 2025
Life & Culture

From Brussels to Hanoi: Le Motel presents ‘Odd Numbers’ at 254 Forest

On Thursday, January 23rd, the new multimedia exhibition ‘Odd Numbers’ opened in Brussels, offering a glimpse into the life of indigenous communities in Vietnam. We attended the opening, and I am here to tell you about it.

From Brussels to the mountains of Hanoi: meeting Hmong Culture

It was raining in Brussels the late evening. I went to see Odd Numbers, the exhibition opened at 254 Forest as a part of Photo Brussels Festival 2025. It was loud outside; despite the drizzling rain, a significant crowd gathered around the entrance, unable to fit in the small space, where the photographs were displayed. Straight forward from the entrance, a passage led to the other room with the video installation that thankfully justified all the unpleasant experience of coming from Antwerp and walking by Brussels Midi.

Hmong women. ©Fabien Leclercq

Odd Numbers, the project created by Brussels-based music producer Le Motel, whose work includes sound production for Bottega Veneta,  in collaboration with designer-programmer Antoine Jaunard and Vietnamese poet Phapxa Chan, documents the life of the indigenous Hmong community. In Vietnam, the Hmong are one of the largest ethnic minorities, usually concentrated in mountainous regions. Ethnic groups within the Hmong community can be identified by their dress and are known for their craftwork and ancient traditions.

A Journey Through Sound and Image

A one-month-long journey in Vietnam and a week within the Hmong community resulted in a multimedia project exploring the existence at the edge of modernity and tradition. “What impressed me the most was the matriarchal aspect of the community. Most of the women spoke English well, and they organized all these different activities. It was truly inspiring,” Le Motel explained. “I wanted to pay homage to those women in the album and the images.”

'Odd Numbers' exhibition, ©Lydie Nesvadba

I sat down on the pillow on the floor, put my phone away, and abstracted from the people walking around, listening to the sounds as the scenery of a mountain ride transitioned into a matrix outlining the city of Hanoi. I listened to the rhythm of Phapxa Chan’s poetry and folk music. The soundtrack, so masterfully directed to interact with the videography, made the experience truly immersive. My sudden urge to travel to Vietnam had never been as strong as that evening after seeing the exhibition.

The exhibition is on view until March 2, on Fridays and Saturdays from 2 pm to 6 pm and on Sundays from 2 pm to 5 pm.

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