ENFNTSTERRIBLES

COVER STORY: Pop Savant Allie X in Paris

On the very last day of the most recent Paris Fashion Week, we met up with pop savant Allie X to create our new digital cover featuring the shiniest Akillis Haute Joaillerie pieces. If you’re not familiar with Allie X, we advise you to take a deep dive into the singer’s discography, including her latest album ‘Girl With No Face’. Or read our interview with the Canadian pop star below!

You are currently in LA, which has been your home since 2013.

Yes, 2013 was when I moved here, but I still had an apartment in Toronto. I thought I might go back, but 2014 was when I officially moved.

Since you have been living in LA for ten years, how are you enjoying the city? How is it boosting your creativity? How are you enjoying the spirit of this very special and glamorous Hollywood city?

Not to be a downer, but I’m not. I feel like I’m kinda done with this city now, at least as a full-time resident. It is the epicenter of the music industry and entertainment industry and has a ton to offer; I’ll always return to it for work, but I don’t really want to live here anymore. Did you see that viral clip from Chloë Sevigny? She talks about LA, and I agree with all of her points. When I first moved here, it felt very inspiring, but about three years in, I realized this wasn’t for me. So, at this point, I’m waiting for all the logistical things to line up so I can make my exit and live somewhere else.

Olivier Theyskens dress. Roger Vivier gloves. Akillis earring.

What I think is very funny about Los Angeles is that for me it is a city which has a lot of sun and is very bright, but when I listen to your music, the first question that popped up when I googled you, was ‘is Allie X a goth?’

(laughs) I googled myself once, and that cracked me up.

It’s like two opposites: LA is very light with a lot of daylight and sun, and your music dives into darker stuff. Is it difficult to write songs in a very sunny and warm place, knowing that your music has a different vibe? 

It’s funny you mention the weather because I’m really sensitive to the weather, light, and smell. I do find that I get bogged down by the constant sun in Los Angeles. I live in the Valley, where it’s like 10 degrees warmer than the rest of LA, which is the opposite of what I need; I need it to be colder. That does bother me. I don’t know if it gets in my head when I’m writing, I suppose so. A lot of my best songs and Girl With No Face were written during summer in Canada. I do not like the weather; it is against me. Me and my dog—she’s a golden retriever—both of us are out of our natural habitat. I want something colder; I want rain and snow sometimes. It’s funny you’re asking me this and starting the interview with it because it’s a very big problem every dayThis can’t be my forever home; it just doesn’t fit.

You’re always welcome in Belgium, where it rains for 364 days out of the year, and we have one nice day.

I could definitely do a couple of years like that and not get sick of it. I love the rain now.

It brings me back to the question I googled because I’m still very intrigued. Is Allie X a goth?

Musically, I’m barely a goth; true goth fans would laugh at my music and say it isn’t goth. At least my last album has some true goth elements musically. Personally, I would say that I’m a goth. (laughs) I’ve always had—both in appearance and spirit—a goth thing going on.

Ann Demeulemeester full look.

Let’s talk about the album because two months ago you released Girl With No Face, which has blown my mind. What I like about the album is the sense of timelessness. The sound is so timeless and so refreshing at the same time. Do you think the music has a timeless character?

I think it’s timeless in the sense that you can’t tell if it was produced in 2022 or 1982. I try to keep it as legitimately and sonically accurate to the time it is referencing, and even by using the drum machine from that time. I researched the gear and processes of that time. I didn’t use autotune or anything like that. It sounds very legitimately ’80s but timeless, as in, it could be from any decade, I don’t know.

How do you feel now when you listen to the album? 

I’m proud to say that this time I created a thing—this thing—that represents this person quite well. I don’t think I’ve done that before. I don’t think I’ve managed to put something so authentic of myself out into the world. And that’s how I feel about it. I don’t know what my next album will be like. I certainly won’t produce it all by myself; I’m way too tiredand I don’t know what the future will look like. I don’t know how big I’ll get, if I’ll retire, or if I might have children. I made something here that, if I die tomorrow, I’ll be proud to have put something out that represents my inner soul so well.

There’s a song on the album that has sparked my interest a bit more: the opening song “Weird World“. I’m Germanand I was very surprised to see some German lyrics.

As a German speaker, do you think it’s lame that I did that?

No, I was living. I loved it.

I was like, “Are the Germans going to think I’m stupid for doing this?”

I was listening on my way to work, and I was like, “Is that German?”. I looked up the lyrics, and I love the word “Zeitgeist“. It is one of my favorite words in German. Where did the idea of putting German lyrics in a song come from?

I always make my demos in sort of gibberish, and I don’t remember how I thought of it. Subconsciously I must’ve thought it would be cool to experiment with a German line rotating with an English line. The song was always about the abstract nature of being alive and the weird world. I thought it was kind of abstract and random to sing in another language. As the album became so clearly referenced by the post-punk movement in Germany and England it made perfect sense. Other than that, I just had a bit more confidence with German because I know how to wrap around the pronunciation a little bit better than other foreign languages. German is fun for me.

You did amazing. I was thinking, “Should we do this interview in German or English?”

I did one year of German lessons, so I know a few words.

Isabel Marant dress. Akillis jewelry. Rombaut boots. Falke tights.

I found it very interesting that you said you are a classically trained singer because you can hear that in the songs. When someone asks me why I like Allie X’s music so much, it’s because it’s pop music but more diving into drama, extravagance, and the expression of feelings.

(laughs) I like that; that does describe me very well. Extravagant.

What’s also very interesting about you is that besides your own projects, you’ve also written for more commercial artists. How do you see these two worlds, and how do they collide?

The answer in one word is Los Angeles. I moved here, and all of a sudden—without me trying to—I was just thrown into the commercial world where I did a publishing deal. The thing about the music industry is this is how it’s done, and they see me as a writer, so I just have to write. Whether you work in pop, hip-hop, or even country, you’re going to be in writing rooms. I was trying to survive and make a living. So I did that for a long time until Cape God came out, and I realized I didn’t want to do that anymore. I don’t need to do it anymore. My own music makes me enough to survive, and I really enjoy it.

Esau Yori jacket and skirt. Akillis necklace and rings. Roger Vivier shoes. Falke tights. Delvaux Caprice bag.

When you were in Paris, you did a shoot with Enfnts Terribles. At the time, you were visiting fashion shows and exploring new collections. If you could describe your fashion sense in a few sentences, how would you describe your fashion style?

It’s always kind of goth; I look for a silhouette first. I have had a lot of body insecurities over the years, and fashion has always been a way to mask the body, in a way. I became really good at that in high school. So I’m always looking for a shape first and then textures. I really like texture and asymmetry.

You’ve released two albums under the name Allie X. Cape God, which I had the honor of seeing the show in Antwerp back when you were the supporting act of Marina. It was an amazing show. Then you released your new album, and you said that you don’t know where your next project is going to take you. Besides not producing it by yourself entirely, what are other things that you would like to do differently this time around?

Although I don’t want to solo produce it, I want to have a bigger hand in production. I think that I’ve earned that by having done this and proving to myself that I can do it. The first thing I want to do for the next album is have fun because this was such a tortured process. I want it to be an easier experience. Cape God was an easier experience; something close to that where I’m also producing would be fantastic. I want to keep getting better as a writer. I’d like to increase my knowledge of gear and gain knowledge on how to record guitars and drums properly at some point. I want to build up my collection of drums. This was a completely rebellious act without any collaborators besides my partner. Every previous album has been in that co-writing world. I want to find the middle ground on the next one.

Sonically, do you think that you would gravitate towards a different sound? Or do you think that what you did now is who you are, and that’s what people are always going to get?

No, I mean I’ve done four full-length records now, and every one evolves quite a bit. Knowing meit’s probably going to be whatever I fancy doing at the moment.

Dior skirt, jacket and tanktop. Aelis korset. Akillis rings. Isabel Marant boots. Delvaux Caprice springbok bag. Arno Fleerackers gloves.

You’re also going to tour this album. You’ll be doing a few shows in Europe. How are you building this live show? It’s an album you’ve been working on for such a long time with different themes. How are you going to translate these emotions of this album to a live show?

I had a little taste of it when I did performances in record stores. I did that with just a three-piece band: me, a guitar, drums, and a bass. It works quite well. This record, because it has a punk spirit, has rock energy that comes out in the live show. I think it’s going to be a smaller production because that’s the scale that I’m at, but this will translate well in a live capacity.

Final question: I don’t know if you are very familiar with French, but as a Canadian you probably know some words. Enfnts Terribles is not only a magazine but also stands for being someone who is rebellious. You are someone who is absolutely an enfant terrible. You like to find and cross boundaries, and to many you are a mother to the LGBTQ+ community. What is something that you want people to remember about you?

That made me emotional; I don’t know why. I think I wanna be remembered as a bit of a rebel or a brat, as a bitch who had a really big heart. I’m very honest and hardworking person, and I have very good intentions. Those are my best qualities, and I’d like to be remembered in that way.

Allie X’s new album ‘Girl With No Face’ is out now. Make sure to check the Girl With No Face Tour dates on Allie X’s website

Olivier Theyskens dress. Akillis earring.

Photography by Oriane Verstraeten
Styling by Vincent Van Laeken
Production by ENFNTS TERRIBLES Studio / Dries Vriesacker
Makeup by Roscino Makeup
Hair by Jean Dorthu

Styling assistants Margaux Lesgui, Prisca Allaume
Set assistant Stanley De Smet

Special thanks to Akillis and Chris Cuff from Good Machine PR. 

TERMS & CONDITIONS – MoMu x Enfnts Terribles Giveaway The Antwerp Six We are doing a giveaway with MoMu Fashion Museum Antwerp. Please find the terms and conditions below.
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