ENFNTSTERRIBLES

26 Oct 2023
Editorials
Music

EDITORIAL: We Talked To Techno DJ EMILIJA About Music, Fashion, and More

You might have seen her name on the lineup of a big or smaller event near you; EMILIJA has been everywhere these past few months. The 27-year-old techno DJ has her roots in Vilnius, Lithuania, but has recently chosen Brussels as the base of her world domination. Start scrolling to read our conversation with EMILIJA and have a look at the fierce images we made with photographer Evan Justin Karsten.

How would you describe your DJing style, and what sets you apart from other DJs?

I wouldn’t necessarily say this is only particular to me, but I don’t take myself too seriously when it comes to music—and outside of it, for that matter. This is by no means a lack of respect for what I do, au contraire—I just like to have fun and find comfort in unapologetic, tongue-in-cheek, pussy-popping tracks. Best served hot with a side of uncontrived debauchery.

For me, catharsis comes in the form of joyful outbursts of energy, rather than embarking on an overly emotional “journey” or “trip” during my sets. I catch myself doing enough introspection in the daytime, so in my world, the night is a fantasy where all inhibitions are left at the door, and we can enjoy unadulterated bliss before going back to reality. If people can let go, even for a moment, I feel like I’ve done my part.

LEO full look. Alaïa shoes. Wouters & Hendrix earrings.

You just had a very interesting summer full of festivals. How do you look back at your first festival summer as a DJ?

Intense, nerve-wracking, and incredibly rewarding on a personal level! I’m not quite an introvert, but my anxiety soars and my social battery tends to run out quite fast when I’m diving head-first into ever-changing environments, surrounded by tons of new people, etc. This summer has pushed me out of my comfort zone while also teaching me to ground myself when needed. In this restless industry, the art of self-care is essential, so I’m grateful to have made this realization quite early on and know my limits, as well as learning to turn nerves into a thrill. Now that summer is over, I’m feeling inspired, energized, and super excited for what’s to come this club season.

What was your personal highlight of the festivals?

It’s got to be the queue outside the small stage I played at Dour Festival before my set! The enclosed stage was capped at a certain capacity for security reasons, but it seemed that far more dancers were trying to join the party, which was a heartwarming moment of validation for me as a fresh face in the scene. I was just happy to have had the opportunity to play there among some names in the industry whom I admire fondly, so seeing people line up to dance with me exceeded all the expectations I had for that night.

Ann Demeulemeester dress. Elisa Lee rings.

Is producing your own music something that you would like to explore?

Absolutely! I’ve always had a knack for contributing my own sound to the world, but between exploring my preferences, learning the intricacies of music production, and my penchant for perfectionism, it may be a while until I put out something I’m proud of. I also love the prospect of collaboration, so my mind is buzzing with endless possibilities. Big things coming, as they say.

How do you prepare for a DJ gig, both mentally and technically?

Lots of hydration, sleep, and good food. I’m very epicurean when it comes to life—there’s no such thing as a guilty pleasure in my books. Whether it’s before or after a gig, you’ll find me indulging in my favorite dishes to satisfy that little craving and make up for my health taking a hit on weekends—yuzu oysters are never not on the menu. Other than that, I spend my weekdays exploring well-designed spaces or digging for music, forever discovering new gems to add to my repertoire rotation. It brings me so much pleasure—I like to joke I even got fired from my last job because I spent all my time looking for tracks instead of meeting deadlines!

Maison Margiela bra, panties and stockings. Alaïa coat. Elvis Pompilio hat. Adult shoes.

You’ve been jokingly called a Fashion DJ. Can you tell me a bit more about your fashion background?

(laughs) Absolutely. No shame in it, if anything I’m flattered that anyone would think my dress choices qualify me as a fashion-anything. I have a bachelor’s degree in fashion design, which I completed at UAL in London a few years ago—guess this means I’m legit.

The notion of the ‘Fashion DJ’ itself is so funny to me because, aside from the term being cringe-worthy enough to border the camp category, it’s predominantly used to target and discredit women who present themselves a certain way. Some of the DJs I look up to the most are “hot girls” who embrace their feminine nature—if anything, who play into it with long acrylics and cunty outfits—yet still excel in terms of technical skills and tower over most others in sound versatility.

While women have previously adhered to the baggy T-shirt-shaped dress codes of this male-dominated industry, I’m seeing an increase of DJs leaning into these hyper-femininity signifiers as if to say “Anything a man can do, I can do with four-inch nails.” Sign me up!

Do you have any plans to go more into fashion in the future?

The idea always lingers in the back of my mind; I think I’m just waiting for that final “click”, that ah-ha! moment when the concept falls into place. One refreshing thing about dipping my foot into music has been discovering newfound sources of inspiration for my other interests, which scope all across the creative spectrum: from writing, to design, to art direction—it’s all intertwined. The seeds for ideas are there, I just need a little more time to bring them to fruition and close the loops. You know, realizing things.

SANKUANZ dress. Wouters & Hendrix earrings. elisa lee necklace.

What goals or projects are you currently working on, or what plans do you have for the future in your DJing career?

I’m taking each day as it comes. As much as I like to dream big—I even keep a delusional list of personal goals (big and small) on my laptop—I’ve also allowed myself room to breathe and enjoy the present moment without tainting it with self-inflicted pressure. As a DJ, I still have a lot of personal bucket list material to check off—from local Belgium-based festivals, such as Horst or Pukkelpop to crossing international borders into unfamiliar venues and connecting with new audiences. Every step is something new and exciting that I’m looking forward to with great enthusiasm.

In the meantime, I’m celebrating my current achievements, focusing on music production, and working on developing other creative ventures that are waiting to see the light of day. In the coming year, I hope to re-acquaint myself with different avenues of storytelling that I’ve previously dabbled in or explore ones I haven’t yet had the chance to, and cultivate projects that will expand many horizons. Be it a label, a brand, a column, a newsletter, or a podcast—who’s to say? I’m just enjoying the ride.

FILLES A PAPA shirt, sweater and boots. Meryll Rogge skirt. Bobby Jewels heart necklace.

Photography by Evan Justin Karsten 
Creative direction and production by ENFNTS TERRIBLES Studio / Dries Vriesacker
Styling by Vincent Van Laeken 
Makeup and hair by Emma Catry 
Set assistant Eveline Slavov Slavov

Location: METAL Studio Antwerp

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