You’re releasing your new EP Heartbreak County, Vol. 2. What have you planned prior to the release?
It’s never-ending. There’s no time to sleep and only work, work, work! I’m preparing for a special performance video that I’m teaming up for with Tidal. It’s going to be a four parts video in one video. It’s a whole performance visual for the EP but only by using four songs. If we did all the songs, that would be way too long. I’m definitely playing a couple of shows to celebrate the end of the project, doing some in LA and New York, the two cities where I’ve been kind of building and playing shows. We also try to get all the visuals shot for the rest of the songs. It’s so crazy. It’s one song; we shoot everything. Then the second song comes in three weeks, so I need to shoot everything two weeks prior to that to get everything edited. Oh my lord, it’s never-ending.
Do you already visualize a lot when creating the songs, or is that a process that mainly happens afterward?
It really depends. Sometimes, it’s the visual that comes to me, and I know exactly what I want to do with it. Other times, I make the music, and after having enough time to live with it, I start imagining things that make me feel even more excited and look at the song with a whole new meaning. You make a song, then go away from it, and later feel that it means something different to you. It’s the same message, but it’s like a journal entry where you write something and later see that you were a bit too dramatic. (laughs) You also look back and see that it’s what you were trying to say now that you had enough time to live with it. I do love my artworks and visuals to be very symbolic, and I’m really big at wanting it to feel like a painting. You can basically frame all my artworks and put it on your wall. That’s how I imagine my artworks; I don’t ever see it basic unless it actually serves the song.




