ENFNTSTERRIBLES

10 Jul 2025
Music

INTERVIEW: Sedef Adasi on HAMAM Nights, Turkish Roots, and Creating Safe Spaces Through Music

From small parties in Augsburg to a residency at Berghain’s Panorama Bar,  Sedef Adasi has carved her own path, guided by instinct, emotion, and a deep love for music. In this interview, she opens up about her Turkish roots, building safe spaces through HAMAM Nights, and how sound became both a home and a way to belong. Alongside the interview, you’ll find a shoot that we did with photographer Aytekin Yalçın. All jewelry in this shoot is Pandora.

Credits header image: Prada full look. Pandora ring and earrings. 

How would you describe your sound?

It’s the one question I never fully can answer—because the moment we define it, we limit it. My sets are fluid, intuitive, shaped by the moment. There’s always a mix of house, acid, and percussion running through, bringing subtle movement and energy. But all in all, it seems like an unknown journey…

Your artist name, ‘Adasi,’ isn’t your real last name. What’s the story behind it?

So basically, I wasn’t sure what to pick for an artist name, so I googled ‘Sedef’ and found ‘Sedef Adası,’ a charming island in Istanbul. Felt like a simple, natural way to keep my roots close.

PATOU Blazer. PANDORA earrings and rings.

You started playing at weddings and small parties in Augsburg, and now you’re a resident at Berghain’s Panorama Bar. What did that transition mean to you?

The transition from playing weddings and small parties in Bavaria to becoming a resident at Panorama Bar has been incredible and surreal. Coming from Augsburg, I never thought of DJing as something that could lead to a long-term career. I wasn’t chasing a spotlight. I was following something I’ve always needed: Music. There was no plan, but somehow my passion, which always felt so personal and instinctive, brought me to stages I never imagined — and eventually to a residency at Panorama Bar. It feels like: it is all a dream.

You’ve mentioned learning your craft in a basement club without any equipment at home. How did that DIY beginning shape you as an artist?

My journey began long before DJing. I was curating music and making sets as a kid, just following my love for sound. Starting without resources pushed me to think outside the box and find unique ways to create and share music. Having no equipment made me resourceful. I had to find new ways to practice and express myself. Every skill had to be earned slowly, which built my patience and discipline as an artist. Without access to gear, I spent more time exploring different genres and sounds, which broadened my musical taste and curiosity.  Then I got the opportunity to access a club where I could teach myself, and I ended up not only learning the technical side of things, but also the importance of being part of a community.

You’re also composing music for Dilara Fındıkoğlu. Can you tell us more about that collaboration and how scoring differs from DJing?

Composing music for fashion shows has always been a dream of mine. Together with my bestie, Bashkka, we took on the rewarding challenge of creating the full soundtrack for two Dilara Fındıkoğlu shows—a defining moment in our friendship and creative journey.

Working with Dilara was incredibly inspiring. Her pieces are bold and full of character, and her haute couture designs opened up a space to explore layered compositions that moved with the narrative of the collection. Translating textures and silhouettes into sound turned the process into something deeply creative—almost cinematic. An amazing project that we want to keep exploring—we’re excited to dive even deeper into the world of fashion shows. It’s a completely different creative process from DJing or producing tracks. It allows us to work more narratively, to slow down, and to craft music that interacts with visual storytelling in a unique and powerful way.

DIESEL Blazer and skirt. CELINE shoes. PANDORA rings and earrings.

You’re currently working on a new record. Can you tell us what stage you’re in and what’s inspiring the sound?

The new EP is deeply rooted in personal experience, as with all my work. Since the pandemic, so much has shifted—not just in the world, but in my own journey. My career has taken me to new places, both geographically and creatively, and that sense of movement and change is definitely reflected in this record. It’s a way to translate emotions like uncertainty, resilience, and growth into sound. The project is still evolving, but I’m really excited about the direction it’s heading.

 

Has nightlife given you a chosen family—people who’ve stayed with you, inspired you, or played a key role in your journey?

Growing up in a small town, I didn’t have a traditional ‘chosen family’ in nightlife. There wasn’t really a scene or a community to lean on. I did most of it on my own. My early inspirations were books, music, films, and the distant world they hinted at. When everything around you feels small or limited, your imagination becomes your escape and your driving force.

Now, of course, things are different. Along the way, I’ve met incredible people—artists, dancers, club owners, and fellow outsiders—who’ve become part of my journey. The people who know me, who’ve seen me grow, who ground me—they’re the ones I trust the most. In an industry that moves fast and can be overwhelming, having that kind of support, even just a few solid people, makes all the difference.

JHONNY BLOOD blazer. DIOR boots. PANDORA ring.

You proudly embrace your Turkish roots. Has navigating the club scene ever clashed with cultural expectations or taboos?

Well, navigating the expectations of my Turkish background alongside the club scene was challenging. These worlds didn’t always align, and merging them required patience and resilience. HAMAM became my playground. It’s a space where I felt free to express myself fully, to do things my own way, and to be who I truly am. I hadn’t experienced a party that gave me that same sense of home or belonging before. So, creating HAMAM Nights was about building that feeling from the ground up.

What’s unique about a HAMAM Nights?

HAMAM Nights began in 2017, rooted in something deeply personal—a love for music and the culture I grew up with. Traditional Turkish Hamams have always been more than just places to bathe or cleanse. They carry a history that includes a queer dimension — spaces where healing, intimacy, and connection happened in ways beyond the ordinary. That layered history deeply resonates with the spirit of HAMAM Nights. I wanted to bring that atmosphere into nightlife: Something that feels warm, safe, and open, especially for queer people.

What makes HAMAM unique is that it’s about embracing yourself fully, in every way, including your cultural background, the unique way you show up, beyond labels or expectations. The Ego takes a back seat, so it’s not about showing up for a peak-time moment. It’s about the full journey. We guide each other through the night, from beginning to end, building something together. People come early, unafraid to be the first on the dance floor, and that creates a very special kind of energy, one rooted in trust, openness, and care. This goes beyond a typical night out—it’s an intentional space for cultivating genuine community. Everyone becomes part of the night, and that shared experience is what makes it so powerful.”

ATSUKO KUDO latex blazer and dress. MOROBÉ shoes. PANDORA necklaces.

If you had to relive one night of your DJ career, which one would it be and why?

It would be the first edition of HAMAM. There was a lot of nervous energy in the air — the kind that still lingers before every party (never goes away, actually), but something about that night felt truly magical. When the lights came on at the end, people were hugging, smiling, holding each other. The warmth in the room was undeniable. Somehow, this little HAMAM had created a space that held everyone so gently through music. It made me incredibly happy to feel this special energy, to feel how music could hold people in such a warm way. I didn’t know how to throw a party back then. I was just following a feeling. If I could relive that night, I’d tell my younger self: “You don’t have to know everything yet, just trust your feelings and emotions.”

How would you describe your fashion identity?

I’m naturally drawn to silhouettes that feel empowered—clean lines, strong shapes, pieces that command quiet attention. But I always make space for a kind of understated sensuality—less about exposure, more about presence. That contrast reflects how I carry myself.

Which designers or fashion creatives are you currently obsessed with?

Surprise surprise, love a Dilara, love a Dion Lee, a lil Ann Demeulemeester. 

Which track never fails, no matter where you play? And which song is your current obsession?

Whitney Houston’s ‘I’m Every Woman’ and Erika de Casier’s ‘Delusional’ never miss. Lately, though, I’ve been obsessed with ‘Make It Look Sexy’ by Stunny Sandy.

ANN DEMEULEMEESTER blazer, collar and cuffs. REPARTO skirt. ROMBAUT boots. PANDORA rings and necklace, worn as a bracelet.

Photography by Aytekin Yalçın
Styling by Vincent Van Laeken
Makeup by Emma Catry
Hair by Joffrey Conings
Nails by Brooke King

Talent: Sedef Adasi

Production by ENFNTS TERRIBLES Studio/Dries Vriesacker
Production assistants: Ilaicha Vandeputte, Jan Coenraerds
Styling assistant: Zinno Dekker
Studio: La Boite 

Special thanks to Pandora and Eurostar for making this possible.

JHONNY BLOOD blazer. GANTERIE BOON gloves.

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