ENFNTSTERRIBLES

14 Feb 2024
Music

Interview: Tsatsamis Is Making Huge, Vulnerable Pop Songs

In the ever-evolving landscape of contemporary pop, London-based artist and producer Tsatsamis has emerged as a fast-rising force, crafting deeply personal dance-pop anthems that poignantly encapsulate the queer experience. Garnering attention for his confessional and soul-searching tracks, Tsatsamis landed a prestigious #10 spot on i-D’s ‘100 Best Songs of 2023’ with the magnetic single “Everybody Wants a Piece of You”. As an independent artist, he not only cultivated a unique sound, but also draws large crowds for his live performances, sporting iconic homemade T-shirts with cheeky and irreverent slogans such as “I Love Björk and Bareback”. Enftns Terribles spoke with Tsatsamis about his musical journey, influences, and the vulnerability that defines his artistry.

Let’s start at the beginning. You’ve been releasing for almost two years now. How did you get into production and songwriting?

I learned piano and drums when I was a kid, and coming up with something new and improvising was always more gratifying than learning whatever piece my teacher had given me. I guess that developed into songwriting the older I got. As for production, like most home-grown producers and artists, I started playing around with GarageBand and a cracked version of Logic when I was maybe 14 and just kept making stuff.

Which part of the music creation process do you enjoy the most?

It used to be experimenting with production, but now, I’m really loving writing lyrics before anything else.

You’ve referred to your sound as “George Michael made a song with SOPHIE”. Where do you draw inspiration from?

Well, those are definitely two of the biggest! It used to be that my main inspirations were the likes of James Blake, Caribou, and Jamie xx. That was definitely on more of a sonic level, at least when I first started producing. Now I’ve found my feet a bit more with what my sound is; I look to artists like George and SOPHIE for the way they approached making music. Pushing boundaries or weaving niche and vulnerable feelings into huge pop songs; never missing out on a chance to be shocking. 

Which song of yours would you play to someone to get them hooked on Tsatsamis?

Probably the one I’ve got coming out in a couple of weeks called “Faith”. It’s my best song and vocal performance yet and wraps up a lot of what I want to say with my music. The perfect balance of melancholic but salacious lyrics. It’s also the best pop song of 2024!

And if your music were a flavor, what would it be?

Salted-caramel.

Your work doesn’t shy away from vulnerability and explores experiences that resonate with many in the queer community. How do you approach and process the act of sharing such intimate experiences once your music is released and songs take on a new life with each listener?

It feels really natural to share something once I’ve made it. I’ve always been quite candid with my friends and family, and that’s definitely my approach as an artist with my listeners. Music is best when it’s dramatic, something you can only really achieve through vulnerability and intimacy. As for how they take on a new life with each listener, it’s still quite surreal that that even happens. But that’s the beauty of releasing music.

The music video for your track “Everybody Wants A Piece Of You” is beautiful. What was the concept behind it, and how did it all come together?

I worked with my friend and incredibly talented director Ruby Harris on it. I knew I wanted to have some sort of ambiguous, homoerotic, subtly sinister relationship between two guys. Something that was suggestive and reflective of some sort of power play between the two, but nothing too prescriptive. After a couple of dead ends, I came across this video from the film Beautiful Thing. That became the foundation from which the final video grew.

You wear some iconic T-shirts at your live shows with phrases such as “I like Kylie Minogue and sucking cock” and the now famous “I love Paul Mescal and poppers”. Where did the idea for these T-shirts stem from?

I didn’t come up with the Kylie tee! I’d seen it on Twitter or something a couple of days before my first gig at the Windmill and was last-minute scrambling for something to wear. I got such a good reaction from it, though, that I decided to keep doing it for every gig and start coming up with my own, starting with the Paul one.

There’s even a photo of Paul holding up the aforementioned T-shirt … that must have been a wild photo to have received! How did he get ahold of it?

What’s meant to be will always find a way.

Lastly, looking ahead to the rest of this year, have you made any plans and goals for 2024?

The new single called “Faith” comes out at the end of February, my second EP in April, and my first London headline show. As for goals, I really want to try bottoming for the first time!

Follow Tsatsamis on Instagram and Spotify

 

Interview by Aimee Philips
Photography by Sam Taylor-Edwards
Styling by Martí
Styling assisted by cameronsjeffrey

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