You’re quite new to the scene, so people don’t have as many expectations compared to when you have a big hit. Does that allow you to experiment with your sound?
KTJ: Totally! It doesn’t give us any pressure to mess up, honestly, which is crucial to finding yourself and your sound and all of that jazz.
Carly: There’s not any pressure to, you know, fit a box or a mold that people expect of us. Honestly, it’s just really fun. That way, we get to write what we want and, you know, make any music we want right now.
And you write and produce your songs yourself. How do you start working on a song?
KTJ: Recently, we’ve been starting with the production, and then we’ll randomly start singing random melodies and come up with the concept.
Carly: Honestly, it’s different every time. Sometimes we’ll write stuff on the piano and produce it out later or will write it on the guitar, produce it out later and then sometimes we have lyric and melody ideas and then we … It falls all out of order sometimes, but usually it ends up being produced eventually.
KTJ: And then it also depends on who we’re writing with too. It’s different every time. It’s really fun.
Carly: But lately, it’s been production first and then writing lyrics on after.




