For example, at a certain moment, she gets to the hospital where her daughter is admitted. A moment she experiences multiple times, and we shot them all right after each other. When I got to costume change after the first shot, I was like, ‘Okay, I already experienced this. So in the next shot, I’ll be a little bit less present.’ Because when she first experienced that moment, she was overwhelmed. The second time not so much.”
And that’s where Natali truly shines. With a very intricate script, she managed to convey all the layers of her character to the screen. From very emotional to a bit distant. “That was very satisfying, to play all these emotions. And playing things that you haven’t experienced in real life, for example, losing a child, it’s very touching. The funny thing is—and again, spoiler alert—when I would die in a scene and return to make-up after, they would ask, ‘How was it?’ I’d say, ‘Good, I won’t have to experience that in real life anymore.’ (laughs) That’s not how it works, of course, but it gives you a sense of things.”